that
more and more voters
are concerned with
personal family safety,
with economic security,
fearing more and more jobs
going overseas
or being taken by
illegal immigrants.
Theyre concerned with the quality
of air and our water,
the degradation caused by the
rollback in environmental regulations,
by religious and racial polarization,
with the drumbeat of body bags
coming from all over the g
Projects?
l dont know whos crazier, you or me.
-l live where l work.
-Yeah, in the slum.
What about you?
l live here.
You were brought up poor?
Aint nobody with money on death row.
You and l have something in common.
-Whats that?
-We both live with the poor.
Aint you gonna ask me what l done?
-The chaplain filled me in.
-Oh, Farley?
Yeah, well, hes a very religious man.
l didnt kill nobody.
-
HUDSON HAWK
Screenplay by
Steven E. de Souza
Revisions by
Dan Waters
Based on an original idea by
Bruce Willis & Robert Kraft
A Silver Pictures/Flying Heart Films June 14, 1990
Production
NOTE: THE HARD COPY OF THIS SCRIPT CONTAINED SCENE NUMBERS
AND SOME "SCENE OMITTED" SLUGS. THEY HAVE BEEN REMOVED FOR
THIS SOFT COPY.
FADE IN:
EXT. VINCI COUNTRYSIDE - RENAISSANCE - DAY
Beneath a jawdroppingly s
Barely audible, an organ plays a haunting theme. The title credits appear. They are simple green lettering on a black background.
BLACK
TV MONITOR
Point of view from inside a small medicine cabinet. The door is opened creating a low hum, and throwing light on THX 1138, a man about thirty-five years old. He has a closely shaved head: which makes him appear bald. The image is distorted as seen over
circuitry
at the speed of light. We created them to
calculate and research, to help us design
and heal and think. With all that they can
do, are they only electrical impulses...
or are they a new form of life?
The figure is rotated completely around, and as it comes back to face
us, a glowing disk appears beside it; again in response to the
programming printed out at the side of the screen. The d
Stars in the black of space. PAN DOWN to sapphire blue sky, the brighter stars still shining through. Its Arctic midnight, the weak sun tiny on the distant horizon. We skim along the water, in and around looming glacial cliffs-- The top of an iceberg pushes through the waters surface. Carved into the ice is a single mammoth word:
G o d z i l l a
We continue past, along the ocean, and discover:
The camera is moving toward an Indian city. We are high and far away, only the sound of the wind as we grow nearer and nearer, and through the passing clouds these words appear:
No mans life can be encompassed in one telling. There is no way to give each year its allotted weight, to include each event, each person who helped to shape a lifetime. What can be done is to be faithful in spirit to the
A beautiful golden sun is setting. The sky is on fire. The CAMERA starts to move downwards. A large neon sign rises into shot. It rests on top of a skyscraper and fills the frame. The building is neither past nor future in design but a bit of both.
Slowly we pan downwards revealing the city that spreads below... A glittering conglomeration of elevated transport tubes, smaller square buildings wh
Ali Script
Thank you very kindly.
Ladies and gentlemen, right now wed like to introduce...
the star of our show, the young man youve all been waiting for.
So lets all get together and welcome him to the stage with a great big hand.
How about it for Sam Cooke?
Before we do anything, we?d like to say how are you doing out there?
- Is everyone feeling all right? - Yeah!
How are you doing?
- You doin
HIGHLANDER
??
Screenplay by
Gregory Widen
and
Peter Bellwood & Larry Ferguson
February 6, 1985
??
??
FADE IN:
MADISON SQUARE GARDEN
New York Rangers v. Edmonton Oilers.
15,000 screaming fans leap to their feet.
Gretsky steals the puck, streaks across the ice, beats two
defenders, shoots and scores.
Oilers 6, Rangers 0. Oiler fans bellow approval
One silent SPECTATOR, in overcoat, slacks and scarf